newsfuri
About newsfuri

A small consultancy for broadcast production teams

newsfuri

newsfuri is based in Shrewsbury and has advised television and live production teams on studios, cameras, lighting, sound and workflow since 2013.

Our story

How a gallery operator became a consultant

newsfuri began in 2013 in Shrewsbury, founded by Helen Marsh after years working in television gallery operations. The company is still small by choice. It advises networks and live event producers on the technical decisions that shape how a programme is made.

A planning session over studio drawings and equipment lists
A planning session over studio drawings and equipment lists
newsfuriFounded 2013Based in Shrewsbury

Helen spent her early career in the gallery, where she saw how much of a programme's success depends on decisions made long before anyone goes on air. A studio layout that blocks a sightline, a cable run planned as an afterthought or a lighting plot drawn without the camera positions in mind all cost time on the day. She founded newsfuri to help teams settle those questions at the planning stage, when they are still cheap to change.

The work covers studio design, camera control, lighting, sound and workflow. Each area is handled by someone who has done the job on a live production, not only studied it. Helen leads studio design and workflow reviews, Daniel Okafor plans lighting and camera positions, and Priya Shah advises on audio chains and file-based workflows. Clients deal directly with the person who will do the work.

We write as well as advise. Many of our technical guides are written by Priya and published on this site, because we found that the same questions come up again and again from production managers and engineers. A clear written explanation, with the reasoning shown, is often more useful to a busy team than a meeting. Where a job needs more than a guide, we take on planning and workflow projects.

Our projects are usually specific and bounded: a studio refit, a camera control selection, a lighting plot for a new news set, a written review of how content moves from camera to transmission, or a technical run sheet for a live event. We say at the start what we will deliver and what we will need from the client, and we put it in writing.

We are based at 14 Castle Foregate in Shrewsbury and work with teams elsewhere in the country and beyond. Much of the early conversation happens by telephone and email, and we visit studios and venues when a plan depends on seeing the space. We would rather understand a problem properly than offer an answer too quickly.

Principles

What guides the way we work with production teams

Broadcast work leaves little room for ambiguity. A vague plan becomes a delay on the day, and an unreliable adviser becomes a risk to transmission. These principles are how we keep our own work useful to people who are working to a schedule and cannot afford surprises.

  1. Clarity

    We explain technical choices in plain terms and put them in writing. A lighting plot, a cabling plan or a workflow review should be readable by the director and the engineer alike, with the reasoning stated so the team can challenge it. If a recommendation cannot be explained simply, we keep working on it.

  2. Craftsmanship

    We treat each plan as something people will have to build and operate under pressure. That means checking sightlines against camera positions, cable routes against rack locations, and microphone choices against the room. Our team has worked in live environments, and the details of the craft are where we put our attention.

  3. Reliability

    We say what we will deliver, and when, and then we deliver it. Quotations are written and specific about what is included. If a project changes in scope, we tell the client before the work changes, not afterwards. Production managers can plan around us because we keep our commitments.

How our approach took shape

newsfuri

Founded
2013
Today
2026
  1. Starting in the gallery

    Helen's years in television gallery operations taught her where planning fails in practice, and that experience still shapes how we look at any studio or workflow.

  2. Founding the consultancy

    In 2013 newsfuri opened in Shrewsbury with a narrow aim: to give production teams clear, practical advice on studio design and the systems around it.

  3. Widening the specialisms

    Camera control, lighting and sound were added as dedicated areas, each led by a specialist, so that advice on one part of a studio considers the rest.

  4. Writing things down

    We began publishing technical guides after noticing the same questions from many teams. Priya writes much of this material, and it shapes how we present our own project work.

  5. Reviewing workflows

    Production workflow reviews grew from the observation that good equipment can still be held back by how content moves between people, and a written review makes that visible.

  6. Planning live events

    Technical run sheets and equipment plans for live broadcast events now sit alongside studio work, and the same habit of clear documentation applies to both.

Client feedback

What production teams say about working with us

The studio layout plan was easy to follow and every decision came with a reason. Our engineers could check the cabling routes against the rack positions before anything was ordered, and that saved us a good deal of rework during the refit.

Rebecca HollowayProduction manager at a regional broadcaster
  • The lighting plot arrived with camera positions marked and clear notes for the crew. It was straightforward to rig, and we made only small adjustments on the first day.

    Marcus Treharne · Technical director for a live events company
  • Priya's review of our file-based workflow was specific and honest. It pointed to two hand-over points we had stopped noticing, and the written report was easy to share with the team.

    Samira Qureshi · Head of post-production at a production company
  • We asked for advice on remote camera control and received a calm, practical comparison of the options. It helped us choose without feeling pushed towards anything.

    Graham Ellison · Chief engineer at a studio facility
Start a conversation

Talk to us about your studio, event or workflow

Tell us what you are planning, whether a studio design, a camera or lighting arrangement, sound support or a workflow review, and we will reply with how we could help.

Contact

Get in touch

newsfuri

Clear guidance for broadcast production teams

14 Castle Foregate, Shrewsbury SY1 2DG01743 358216[email protected]